The more Ryu discovers about the cosmos, the more our planet seems to be filled with superfluous noise.

Ryu states, “tuition was expensive, and I often had to skip meals because I couldn’t afford food,” referring to the financial difficulties he had when enrolled in Sahmyook University’s art and design program. He once sketched on clean cardboard boxes he found on the street because he couldn’t afford to buy a drawing book, and turned them in for a class assignment. Not only did Ryu stand out, but he also formed several lasting connections due to his exceptional creativity and resourcefulness in making the most of what was available.

Ryu worked part-time jobs at restaurants to fund his self-taught tattooing and his aspirations for a career in the arts. He has been honing his skills since 2018 and relocated to Australia in 2023 to work in a tattoo studio.

Ryu claims the upper body is his favorite part to tattoo using Magnum needles and copious amounts of black ink. “The muscle and bone structures in the upper body are particularly appealing to me, and designing to complement them is so fun!” Excitement for the opportunity to create a bodysuit is also evident.

This Scene360 interview examines the effect and philosophical significance of his work, which showcases emotive energy and brushstroke-like forms. Ryu, an introvert who generally stays to himself, loved expressing himself during the conversation.

Brushstroke tattoo done freehand and energetically.

Please describe your move to Melbourne, Australia. Also, what are your favorite aspects of the city?

In South Korea, tattooing is still illegal, so I couldn’t fully enjoy a life centered around tattooing. In 2023, two years ago, my wife, Yojogrim, and I came to Melbourne. We loved the weather and the owners of the studio where I currently work. They have always been incredibly supportive, and to this day, they are the closest people to us. We even live right next door to them.

The coffee is excellent in Melbourne. People are genuinely kind, and the sunlight is beautiful. On a sunny day, driving while listening to music feels like heaven.

This abstract rib cage artwork is really captivating.

What are the benefits of being married to another tattooer?

If I had married someone with a regular job, they probably wouldn’t have understood my unpredictable schedule or my [artistic] sensitivity. But we know each other, even if we suddenly have to check our phones for work while on a date or walking down the street. We both know how consumed we are by our work. We also often discuss worries and concerns related to tattooists. These things give us a greater sense of stability together.

Even without the exact symbol, the meaning of life’s yin and yang may be represented.

Your tattoos have a spiritual side, such as reflecting on the universe, your surroundings, life’s balance, and more. 

Since I began studying art, I have often reflected on the meaning of my existence. Naturally, I developed a deep interest in philosophy, science, and the universe. I would watch more than 100 films a year. I once read a philosophy book by Carl Jung, which included a passage drawn upon Greek mythology—“In all chaos there is a cosmos, in all disorder a secret order.” These words left a lasting impression, and now I try not to suppress the chaotic thoughts within me, but instead find a balance with them. I also employ this concept in my designs. Although it’s still challenging, it remains a guiding idea for me. I hope my thoughts will continue to become clearer over time.

Motivated by ensō ink paintings, which may represent the universe, power, and enlightenment.

Your blackwork resembles ink-wash paintings and calligraphy. Is that the primary aesthetic influence? 

I have never formally studied ink wash painting or calligraphy. I’m not particularly skilled at creating clean, precise lines—but conversely, I am good at making rough, expressive strokes. As I decided to focus on what I do best, I became more drawn to abstract art and found beauty in various abstract textures. Brushstrokes are fascinating because they can convey a sense of softness or speed and strength without depicting any concrete shape. I feel brushstrokes carry emotions within them. For example, I like brushstrokes that appear powerful and tough. Within those rough strokes lies a catharsis that comes from imperfection. This can help release, even a little, the pressure people feel to be perfect all the time.

This daring back tattoo combines elements of calligraphy with neo-tribal styles.

Black ink is used heavily. Is this advantageous for cover-ups? 

Yes, it can be an advantage, and I receive many inquiries about it. I enjoy creating works with a heavier atmosphere. I like blackwork that features a strong contrast between the skin and the tattoo, combined with rough textures. Its appeal lies in its simplicity and clarity.

Cover-up tattoos carry a certain weight because they are meant to conceal a client’s regret. Both the design process and tattooing itself can be challenging, but when they work well, it’s rewarding. Sometimes clients bring me ideas that are impossible to execute, and explaining why can be a bit awkward—but I welcome all ideas and respect them.

Intense black ink and thick abstract brushstrokes create a cover-up.

What are some of the challenges of cover-ups and blastovers?

Even after completing a cover-up design and applying the stencil, it often doesn’t align exactly as expected due to photo distortion or the natural curvature of the skin. That’s why I prefer to work freehand. Another challenge is that many clients’ skin is already heavily damaged or scarred from previous tattoos, which can cause more bleeding, make consistent packing difficult, or result in heightened sensitivity and pain. I sometimes feel sorry when clients are in pain, but the work must be done. On rare occasions, I wonder if they might resent me for it.

Blastovers—bold and simple designs stand out clearly even when placed over existing tattoos, while highly detailed blastovers on old tattoos may appear congested.

A combination of lotus blossoms and painterly strokes.

What is MooRee?

MooRee is a creative group founded in Seoul by Dino (the owner of the studio where I worked, “Tattooing House”), Saru (a fellow crew member), and me (Ryu). Although it is still in its early stages, we plan to collaborate with artists from various genres to create works such as clothing, jewelry, and other items. The products I have personally designed are soon to go into production, and I am excited about it—it has become a great source of motivation for me lately.

The iconic Christian cross in ink-wash styling.

Give some hints about the products you have designed?

It’s not finalized yet, but I’m considering clothing embroidered with abstract floral designs. It’s still in the mid-stage of development, so it’s hard to share details at this point. The design is likely to undergo multiple changes before it is finalized.

Ryu received the award “Tattoo of the Day” at the Melbourne Rites of Passage Festival.

Can you envision the “Korean Wave” of tattoo artists easily having their designs featured on the fashion runway?

I haven’t really thought about the fashion runway, but I hope it will be possible in the future. Although my profession is tattooing, I want to explore various aspects of artistry beyond tattooing, such as clothing design, YouTube content creation, artwork, exhibitions, and more. I want to dream big and keep trying new things.

Photos © Ryu