Film fans are used to the Oscars getting it wrong. The Academy voters deemed Robert Redfordâs forgotten âOrdinary Peopleâ (1980) to be a superior work of art to Martin Scorseseâs âRaging Bull!â And what about âCrashâ (the Paul Haggis one, not David Cronenbergâs 1996 masterpiece) bagging Best Picture, over the likes of âBrokeback Mountainâ and âMunich,â in 2004?
Film fans also expect articles at this time of year that cry about “snubbed” movies. So, let us continue this fine tradition with a list of ten movies made in the past decade or so that the Academy foolishly ignored in the Best Picture category.
Top: College girls and Alien (James Franco) strike a pose in “Spring Breakers” (2012).
One of theÂ best films StevenÂ Spielberg has ever made. Fact.
War of the Worlds
Steven Spielberg has collected Oscars for âSchindlerâs Listâ (1993) and âSaving Private Ryanâ (1998). However, his adaptation of H.G. Wellsâ classic sci-fi novel is without a doubt one of the directorâs finest achievements. WOTW delivered not only epic spectacle befitting a Hollywood blockbuster, but packed in lots of resonant subtext about post-9/11 America. It is Spielbergâs undeclared masterpiece.
That Andrew Dominikâs western wasÂ ignoredÂ in theÂ Best Picture categoryÂ is a crime against cinema.
The Assassination of Jesse James by the Coward Robert Ford
Andrew Dominik made this list twice. The Aussie filmmaker, after his directorial debut, âChopperâ (2000), went off to Hollywood and delivered two pictures of extraordinary quality. Starring Brad Pitt and Casey Affleck, the Western received two Oscar noms (Best Supporting Actor and Best Cinematography) but, bizarrely enough, was ignored in the Best Picture category. Say what?!
David FincherâsÂ masterpieceÂ flopped at the box office.
David Fincherâs 2007 film, âZodiac,â is a shiny diamond of awesomeness in a world of mediocre murder mystery thrillers. Fincherâs obsessive attention to even the smallest details brought to vivid life one of Californiaâs most infamous and unsolved serial killer cases. Jake Gyllenhaal, Mark Ruffalo and Robert Downey Jr. are on top form as the men caught up in a nightmare without end.
Adrien Brody is on fire in Tony Kayeâs depressing but admirableÂ school drama.
Tony Kayeâs ace drama centered on a world-weary substitute teacher, played by Adrien Brody, and was labelled “pretentious.” But hold on there a damn minute! âDetachmentâ just decided to do things differently and was unafraid to get over-emotional and ask tough questions about the state of the US education system. Okay, it was a little bit pretentious…
Andrew Dominikâs exquisite gangster movie shows us how American capitalismÂ truly functions.
Killing Them Softly
If there was any justice in this world, weâd all be referring to Andrew Dominik as â”Two-time Oscar-winning director, Andrew Dominik.” But we donât, sadly. âKilling Them Softlyâ was perhaps too low-key and suspiciously anti-American for Oscar voters to stomach. Alas, itâs a gangster movie that shall age like the finest wines known to humanity!
Liam Neeson gave the performance of his career in “The Grey” (2011).
Itâs time for the Oscars to get tough: Melodramas, heart-warming comedies and triumph-over-adversity stories, be damned! A masterful, existential tale of plane crash survivors fighting against a gang of hungry, hungry wolves, in the bleak wilderness of Alaska, featured one of Liam Neesonâs greatest performances.
Critics loved Margaret to pieces, but nobody saw it.
Shot way back in 2005 and released six years later, in 2011, Kenneth Lonerganâs âMargaretâ is a film that comes labelled with the unhelpful “flawed genius” tag. Like a little bird with a broken wing, âMargaretâ limped into theaters, lasted a few weeks and then expired with barely a sigh. It earned $46,000 at the US box office.
Coppola went to a truly dark place for his latest movie, a gorgeously photographed supernatural drama.
When Francis Ford Coppola confrontedâlike the true artist he isâone of, if not the most, painful life experience he has ever been dealt (the death of his eldest son) in the shape of a kooky horror movie, youâd have expected the Academy to hand out a shiny golden bald fella with “Best Picture” engraved on it. They didnât!
Harmony-Korine-Oscar-winner. Just imagine that.
“Oscar-winner” is not the first thing that comes to mind, regarding Harmony Korineâs morality tale masked as an ode to the joys of misbehaving. But imagine if Academy voters suddenly took leave of their senses and gave awards out to far edgier flicks! “And the Oscar goes to âŠ Harmony Korine for ‘Spring Breakers.'” The director yelling “Spring Break forever, bitches!” from the podium would definitely be the year the Oscars jumped the shark. O daydreams!
Oscar Isaac as the tragic folk singer Llewyn Davis and a troublesomeÂ cat.
Inside Llewyn Davis
The Coen brothers go and make one of the absolute best films and the Academy chose to ignore it. âInside Llewyn Davisâ earned one lousy Oscar nom (Best Cinematography) at the yearâs event (2014). A 1960s-set dramedy about a down on his luck singer-songwriter in the Greenwich Village folk scene is fronted by an outstanding performance from Oscar Isaac.
Images Â© respective film studios.