Anticipating Asian Cinema in 2019

Anticipation is an expression of bias, which is not to say that the bias is uninformed. I have seen only two of the ten Asian films listed below (“Burning” and “Believer,” both for festivals)—but my piqued interest in the others is not entirely arbitrary. What commends these various titles from Japan, China, Korea and Laos … Continue reading Anticipating Asian Cinema in 2019