Art Ecological Environmental Installations Landscape Outdoors Typography

Frozen Visual Poetry

“Ice Typography” is an environmental art series by Nicole Dextras, which includes words fabricated from ice and displayed on various landscapes. “The installations have varied from 8-foot high ice letters on the Yukon River to 18-inch high letters set in downtown Toronto. When the ice texts are installed on site, the temperature determines how long it will take for them to change state from solid to liquid. This phase of transition becomes symbolic of the interconnectedness of language and culture to the land, as they are affected by time and by a constant shifting and transforming nature.” [1]

Notes about project from the artist’s statement:

The use of text in the landscape relates to concrete and visual poetry but with the added twist of having the word’s meaning alter with the melting process. Sometimes the words relate directly to the landscape such as “silence” where the bucolic idealism of nature is transformed by the sound of the crashing waves behind it. Some words reference art history such as “Reason” which was based on Joyce Weiland’s 1968 ironic quilt that reads: Reason over Passion. Here the passion of nature erodes reason slowly but surely. Other words such as “View” signify an environmental statement warning of man’s encroachment on the land and how we consume space with our gaze. The work also pays homage to the N. E. Thing Company who in the nineteen-seventies put up signs along roads instructing drivers to: “Start Viewing” and “Stop Viewing” the landscape.

The visual poetry in this series aims to subvert the authority of the English language and the commerce of signage by representing words as vulnerable and shifting. Ice Typography absorbs light, melts and eventually leaves no trace; these words have more in common with dreams and oral stories than linear language. Words cast in ice interrupt our literal narratives, allowing a more integrated reading of the land we inhabit, as opposed to the past and current commodification of land as limitless resource. This fundamental split in perception lies at the crux of our environmental crisis. I therefore choose to create within an ephemeral vernacular to accentuate the collective physical and psychological experience of flux and change.

1. "About Ice Typography: Nicole Dextras." Retrieved on January 4th, 2012.

Photos © Nicola Dextras

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